
It’s never too late to discuss Madame Carla Bruni-Sarkozy’s singing career; the press has always liked digging up her colorful past anyway. There’s always a thing or two to follow with the French First Lady, and you can do that by browsing The Guardian or any of the French journals with a stalker’s tenacity.
In doing so you will chance upon her songs, unabashedly uploaded on her website. With the release of her record debut as a chanteuse, the judgmental swirl has been unforgiving, particularly from caustic British commentators.
But the predominant opinion is that the supermodel turned Mrs. Nicolas Sarkozy can strum some sing-ables without much care for diplomacy or political correctness in her lyrics.
The opening single, and the most popular, “Tu es ma came” (“You are my drug”) sounds like an Eric Clapton ballad drolled through French with a smoker’s breaking accent.
If you knew she had formerly dated the legendary British singer and guitarist you’ll miss the irony of the guitar strums. But she deflects notions that her musical influences are dependent on her former lovers. There are no Mick Jagger antics in the rest of the tracks.
Madame Sarkozy’s sound is raw and mostly guitar-based. The bells and whistles of fancy First Lady hymns are replaced by a earthy approach, co-opting world beats and the mood of blues. Her lyrics are not sparse–there’s much to ponder–and difficult to sing along to. Try your French skills with “L’amoureuse” for some tongue-twisting that runs after thudding guitars.
Another track, “Comme si de rien n’etait” (“As if nothing happened”) reveals a lovestruck side to the warbler’s regal political mien.
The album proves that she did not launch her singing career by way of nepotism. The French First Lady can deliver simple tunes and incite world opinion with not-so-timid melodies and subject matter.